She laughs at him for making mistakes that he would never have made in the past. While Dexter/Jim is playing house with his kid that he only recently decided to give a shit about, the ghost of his sister Deb keeps close at hand to heckle his every move. They’d laugh you into the nearest old folk’s home and then TikTok about it. What will those answers be, though? “I used to kill people, and kind of still do?” Picture using the phrase “my dark passenger” to your teenage kid. He tracked him down after coming across a photo of him and his bowling buddy on Instagram, and now he wants some answers.
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We come to learn that Hannah (Yvonne Strahovski), the serial killer slash girlfriend that Dexter ditched Harrison with, died of pancreatic cancer in Argentina three years ago and that Harrison bounced around a few foster homes before eventually setting out to find his dad. He’s curious about who his dad is now and why he acts like a vial of full-blown AIDS when Harrison has few but fond memories of him from their brief years spent as father and son in Miami. Harrison is understandably frigid to his deadbeat dad but clearly wants to stick around and make up for the years and years of lost time. “Cold? Hungry? Want some blueberry pancakes?” “You got big,” Dexter/Jim says to Harrison from across his cozy cabin table. Turning over a new post-killer/current-killer leaf for himself in the relatively small town of Iron Lake, New York, and dating the town’s chief of police seems risky, and risky just got riskier now that his teenage spawn is living in his … checks notes … closet? For a character likeĭexter/Jim, who could, with one lite push of the imagination, easily be read as gay, this is pretty rich. The return of Dexter/Jim’s son Harrison leaves our main character with even fewer places to hide. In the words of his son Harrison: “So why all this Jim bullshit?” Just kill or get off the pot. Since the first frame of that first episode, we’ve been foaming at the mouth to see Dexter kill again.
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Secondly, as I said in my recap of episode one, 2021 needs a lot of things, but one of them certainly isn’t a prestige TV show about a white male killer turning his life around. First off, he’s not good, never was, and never will be. If the main arch of Dexter: New Blood centers on him trying to “be good,” it’s not going to work. Otherwise, save your tears for your racist incel reading group. If you’re a killer, just say you’re a killer so we can see you coming and step out of the way. We’ve seen way too many seasons of way too many shows for “I’m not like that anymore” to work. God may love a penitent man, but they don’t make for good television. In both cases, the defense isn’t convincing. On TV, Dexter is doing that same song and dance. Now he’s making up a fictional storyline for why his own “moral code” justified those killings. In real life, Kyle inserted himself into a moment of chaos, heartbreak, and confusion and used the setting as an excuse to unload his inner demons.
And on the other screen, there’s Dexter Morgan/Jim Lindsay, pulling on the mask of evolvement and scrunching it up like a sleeve of saltine crackers in a mime of equally feigned empathy. Comparisons come quickly to mind here with one screen flashing images of 18-year-old Kyle sobbing on the witness stand, trying his hardest to plead a case for himself and why he found it necessary to shoot and kill two men and wound another with a military-style automatic rifle during protests over the police shooting Jacob Blake in Kenosha, Wisconsin. There’s a certain dark irony to recapping the second episode of a Dexter continuation on the same week as the Kyle Rittenhouse trial.
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